Add to ORKGIn the decade 1912-22, the rising stars of Gernan opera were both Austrians: Franz Schreker, born in 1878, and the very young Erich Korngold, born in 1897. It is Christopher Hailey's new biographical study of Schreker which prompts this essay. I shall be looking here at a group of works that belong to the dying years of the "Italian Renaissance" or "Renaissanceism" boom on the German stage, a fashion dating back to the 1870s
There is at present a large body of writings specifically about the relationship between music and J...
The objective of my dissertation is to address the implications of politically marginalized. identit...
German culture in the nineteenth century frequently granted music an exalted moral and quasi-religio...
Zeitoper – those jazz-infused operas of Weimar Republic Germany, where cars and trains drive across ...
Thesis (M.M.)--Boston UniversityUsing the 1920 opera Die tote Stadt as its primary case in point, th...
This thesis discusses the political, social, and cultural impact of operetta in Vienna after the col...
Towards the end of 1905, while putting the finishing touches to his Harmonielehre, Schenker conceive...
Erich Wolfgang Korngold, a Viennese musician of the early twentieth century, composed western art mu...
Kálmán’s 1928 operetta Die Herzogin von Chicago reemerged in the 1990s after decades of oblivion. Pr...
This thesis investigates the way Korngold's reception and reputation changed during the twentieth ce...
Vienna is a unique city in Europe, located in the "Mitteleuropa, " the former territory of the Habsb...
Franz Schubert's song cycle Die schöne Müllerin makes enormous demands not only on the performers bu...
The concept of a crisis of subjective identity and its expression in modernist artworks of the fin-d...
This article challenges the common idea of Italy's obsession with Italian music, and with Verdi in p...
Relatively little scholarly attention has been paid to the performance and reception history of Die ...
There is at present a large body of writings specifically about the relationship between music and J...
The objective of my dissertation is to address the implications of politically marginalized. identit...
German culture in the nineteenth century frequently granted music an exalted moral and quasi-religio...
Zeitoper – those jazz-infused operas of Weimar Republic Germany, where cars and trains drive across ...
Thesis (M.M.)--Boston UniversityUsing the 1920 opera Die tote Stadt as its primary case in point, th...
This thesis discusses the political, social, and cultural impact of operetta in Vienna after the col...
Towards the end of 1905, while putting the finishing touches to his Harmonielehre, Schenker conceive...
Erich Wolfgang Korngold, a Viennese musician of the early twentieth century, composed western art mu...
Kálmán’s 1928 operetta Die Herzogin von Chicago reemerged in the 1990s after decades of oblivion. Pr...
This thesis investigates the way Korngold's reception and reputation changed during the twentieth ce...
Vienna is a unique city in Europe, located in the "Mitteleuropa, " the former territory of the Habsb...
Franz Schubert's song cycle Die schöne Müllerin makes enormous demands not only on the performers bu...
The concept of a crisis of subjective identity and its expression in modernist artworks of the fin-d...
This article challenges the common idea of Italy's obsession with Italian music, and with Verdi in p...
Relatively little scholarly attention has been paid to the performance and reception history of Die ...
There is at present a large body of writings specifically about the relationship between music and J...
The objective of my dissertation is to address the implications of politically marginalized. identit...
German culture in the nineteenth century frequently granted music an exalted moral and quasi-religio...